In store now

We appreciate the extra costs and customs restrictions imposed on all books by the ludicrous decision to leave the EU has caused serious problems for customers outside the UK (and for UK customers wanting to order from Europe). So we are pleased we now have TWO stockists in Germany for our Boom Boom Boom Boom Blues Photographs of Brian Smith book, and people across the wider EU can order from them. Details of Copasetic Records in Hamburg (well worth a visit, we have been there!) and Bear Family Records mail order outlets are given on our STOCKISTS page.

Carl Perkins, Brian Smith, Sheffield City Hall May 14. 1964

Photo : Brian Smith and Carl Perkins, backstage at Sheffield City Hall.

on show in Northampton

Well sadly, Luis won’t be there, but hundreds of equally strange and awful record covers will be as Steve Goldman’s archive of the Worst Record Sleeves has gone on show at Northampton art gallery and museum until June 22nd. It is open every day except Monday and not far off the M1 below Birmingham and Leicester. The tie-in book The Art Of The Bizarre Vinyl Sleeve will be on sale via the gift shop for the duration as well, and it’s great to see a few of our galleries taking on more popular culture themed shows (Northampton did a big Star Wars toy display a few years ago too).

As for El Bigote, Luis’ heavy Latin Funk LP, this came out in 1975. I did go looking for the cover online and the first page I went to said simply “something went wrong”. Well yes, the cover! We can only assume Luis was riffing on the stereotype of all Cuban’s growing Dali like moustaches (el bigote is Spanish for moustache), so at least he had a sense of humour. Dusty Grooves adds “Plenty of moustaches on the cover — and some pretty hairy grooves within.”

Were You There?

Well yes I was…  quite a lot during my college days in the mid-1970s!  

Were You There – Popular Music at Manchester’s Free Trade Hall 1951 – 1996 (to give this book it’s full title) sets out to document all the pop and rock concerts at this famous venue in detail.  I missed the book at the time but author Richard Lyons, who has been helping us with publicising Brian Smith’s new book (Boom Boom Boom Boom, The Blues Photographs of Brian Smith), kindly sent us a review copy.  The publishers have made good use of one of Brian’s sixties photographs of T-Bone Walker to make the wrap-round dust jacket (and there are a few more of Brian’s images inside). This is primarily a text book though and logs the concerts across the years from 1951 by date, set out in database form then followed by interesting commentary from Richard and others.  Naturally for those who did attend the venue it is the gig dates you check out first (happily I kept most of my tickets too) but it’s not long before you find yourself drawn into the mass of detail, even for artists you wouldn’t normally be too concerned about.  Richard also adds further context by listing some bands at other venues in the city the same year and an appendix of the bigger concert halls at the end too.  There are plenty of indexes to find pretty much anything you want with ease. It all comes to an ignominious end in 1996 with the venue flogged off to be gutted and turned into a hotel.  Clowns.

Pub by Empire. 2020. ISBN 9781909360815

Dynamic duo

A couple more snazzy pages from our upcoming book of rare Blues photographs. We will be sending another newsletter out to everyone who subscribed for details of this project, you can still do so on the Forthcoming page under The Blues Photographs of Brian Smith. The pages here show Bo Diddley on stage (we use the word stage very loosely!) at the Jigsaw Club in Manchester. Brian got squeezed up against the drum kit but he did get a nice shot of Clifton James as a result. On the other page is Buddy Guy enjoying the vibes from his backing band at The Twisted Wheel. Amazingly they turned up late to replace his regular band (who got lost!), discussed the set list and then went on with NO rehearsal for what Brian calls a storming set. His proper band finally arrived in time to do the second set. This accounts for the intense looks of the band as they keep tabs on Buddy for their cues.